Following the study of Casablanca as a sample of classical movie with a traditional gender dynamic, I have started to look at gender non-conformist movies in the liberal Pre-Code (Hays Code) era. The first actress on my list is Marlene Dietrich. Continue reading
Ever since it was invented, film has always been a major source of influence that shapes the public’s image towards others and themselves. In particular, the gender norm in our society was, to a large extent, shaped by the popular films that defined each era. This is why I decided to pursue the study of this topic —– the gender dynamic in classic films and its influence on our society.
For my last blog, I would like to share the paintings I have done so far. First is a pair of paintings of a bookshelf with a flower in a vase located next to it. Inside the bookshelf, I drew Korean traditional elements including a brush and a roll of paper. As you can see, I need some final work in painting the Westtown lamp and Westtown clock and I am going to add some decorations inside the circles of the bookshelf in ‘W’ shapes to symbolize Westtown. As I mentioned in the first blog, I intended to harmonize western elements influenced by Westtown and eastern elements from my background in Korea. Furthermore, the two paintings are both traditional and modern by keeping Korean flowers, bookshelves, and brushes while inserting the modern clock, lamp, and bench. Continue reading
Hello everyone! You may or may not be able to guess from the title, but this will be my last blog post this semester. Therefore, this post will be somewhat of a look ahead. Continue reading
Thanksgiving break was a welcome and necessary reprieve for me. Although I did not get as much actual painting done as I had wished, I got an incredible amount of planning and idea generating done. I now have a clear vision of my path in preparing for my gallery show, and an idea of what my finished body of work will look like. This past week, I finally dove in to creating this body of work. Yesterday evening I had Gwyneth sit for me, and the Alex painting is almost done. Finally, the fantastical elements are beginning to incorporate themselves into my serious portraiture. I will be beginning my self-portrait soon, and have an even better idea now of where it is going (especially seeing as I got quite a few spider-slug studies done over break).
Below is the sketch and imprimatura for the Gwyneth portrait. I’ve included the imprimatura in both warm and cool light, because I think each holds the space a little differently, which is interesting to me. I haven’t yet decided which direction I will go with my color palate, but it is good to be able to see both possibilities. In addition, there is a close up of the face detail. As can be seen in the sketch, I am planning on giving her a dragon.
Gwyneth’s hair is certainly going to be the most difficult (and most fun) aspect of this one. I am not incredibly familiar with painting hair, so I have compiled some references for myself. First, is the work of Alphonse Mucha, one of the most prominent artists in the Art Nouveau movement in the 1890’s and early 1900’s He has an incredible knack for the silhouette and shape of hair (you can find some examples here). Second is a portrait of Alice Guérin done by Paul César Helleu. This one I had not previously known of, but found in my investigating. The hair is nearly identical to that of Gwyneth’s, although not quite so curly (here is the painting). Third, we have the famous Lady of Shalott, by John William Waterhouse, another example of beautiful long red hair (find it here). Fourth, comes the work of Sandro Bottecelli, who very much enjoyed his depictions of goddesses to have long curly hair. The one painting of his which I have singled out is Pallas and the Centaur, which can be seen here. And finally, there is the work of Gustav Klimt, another famous Art Nouveau painter. I have chosen the painting Danae, which features another woman with long curly red hair (here).
To finish up this blog post, here is the progress on the Alex painting, which is getting very close to done.
Some unique little dudes have wandered their way onto her painting, and while not originally intended, I think I like them, so they will be staying.
In the light of these new paintings and plans, I think I am certainly going to revise the background of my Maggie portrait to tie in these fantastical elements and creatures.
I am excited to see what I will get done over the coming month.
…and I’ll tell you why. This semester a key part in every piece that I have done is improvisation. The guitar line and drum beats in the song were improvised. Much of my dance was choreographed in a trial and error improvisation method. I went in with a clear head, and allowed art to happen. I’ve never thought of visual art that way. It’s always been something carefully planned or meticulously copied from reality. But when I was gathering sources for my project’s Works Cited, I gathered lots of sources focused on creating visual art using musical improvisation techniques. As someone who primarily identifies herself as a musician, this speaks to me. And since reading these articles I’ve become infatuated with the idea. And so I’ve decided to try something entirely new to me. I want to improvise my final drawing. Continue reading
I’ve done a fair amount of reflection in my past few blog posts, but I suppose there’s always room for more. Over the course of this semester I’ve both achieved and not achieved my goals. I actually have a much clearer and more long-term view of the trajectory of my work, and a vision for what I want to achieve not only in this semester, but further on in college. Continue reading
Hello everyone! This week’s post will be focused on reflection. It’s hard to believe that it’s been more than two months since the school year began. Here’s a brief overview of what has been accomplished to date:
- Read and presented on Uta Hagen’s Respect for Acting
- Performed a comedic monologue from Molly Sweeney in preparation for future auditions
- Cast as Nikos in Big Love, which received high praises from the community and the Greater-Philadelphia Cappies
- Became a performing member of the Elements Dance Ensemble
- Performed “Don’t Touch My Hair” at the Arts Festival
- Currently working on a dramatic monologue in Elliot, A Soldier’s Fugue
- Voice Lessons with T. Rebecca Field
- Pending Independent Project Proposal for chance to act in Seattle with my aunt
- Reading Constantin Stanislavski’s An Actor Prepares
- Cast as Tevye in Fiddler on the Roof (to be performed in February)
Yesterday was the arts festival, which means that the dance section has been put to rest. Last night T. Will, in introducing the performance, laid out everything that I have done thus far. That conveyed the gravity of it all to me. I hadn’t even considered it up until that point. In my mind I was just making art. It’s what I do. Continue reading
Before Thanksgiving break, I would like to reflect on what I have done so for during the two months since September. It was a unique experience for me to search for scarce resources related to Korean traditional folk painting in the U.S. university libraries with Teacher Betsy. Also, for the first time in long period, I drew outlines, mixed colors, and painted without my Minhwa teacher or advisor standing next to me, helping and editing. I really enjoyed reading my classmates’ weekly posts and commenting on their articles. Although writing the blog was challenging to me at first as you can see from this first blog, as I was used to writing more formally, I became confident in writing blogs with a friendly tone. I am grateful to have had the opportunity to share what I am interested in and passionate about. I feel I have learned more about the culture from the country I came from through this experience. I feel most satisfied when people, impressed with my blogs, commented on them. Continue reading