Author Archives: nalovera

The Source – Natalie

I’ve finally begun the process of revising and piecing together my portfolio, and as I do this, I’ve found myself reflecting on all of the things that got me here. So, for this post, I thought I’d give you all a little bit of insight into the source of it all: the art that has shaped my art from the very beginning. Somehow, this seems an appropriate thing to do as I approach the moment in my life when it will all culminate into a portfolio which may very well determine the course of my future.

So lets go back. Continue reading

How on Earth – Natalie

This past week I ran into a pretty big issue that may take a little time to resolve, it’s honestly pretty embarrassing to me but I’ll just go ahead and put it out there: I don’t remember how to paint portraits. Imprimaturas? Fine and good. But actually putting color on the canvas to resemble skin tone, depth, shape, and shadow? I’m having a harder time getting back into it that I thought I would. When I actually think about it, it’s been probably about two years since I last painted a portrait. Here’s the comparison between my two year old portrait (still unfinished) and my progress on the Maggie one:

It’ll come along, I just need to take some uninterrupted time to sit and work on it. I’m thinking of playing up some of the yellow highlights, like it appears in my reference photo. I do like how the eye is coming, though.

This past weekend, I began the process of migrating all of my portfolio works over from home to Westtown, so that I can begin photographing them properly to upload into my college applications. I have an email into T. Chris Willis to set up a time to meet about beginning this photographing process. I also need to contact T. Joyce Nagata about photographing my pottery. I’ve found two good articles on photographing paintings here and here. It looks like I may also need to contact T. Sarah Sullivan about setting up some lights with gel filters to balance color.

In looking ahead, I have some ideas for new paintings. I know I don’t want to stick solely to portraiture and abstract and fantasy separately, but rather I would like to merge the three to start to string together a coherent body of work. I am still mulling over how I will do this with the Maggie painting, but I am thinking of pulling in some elements of my floating amoebas with abstract tendrils of paint and a focus on mixing color.

Next, I am planning on doing a self portrait with poison ivy and a spider-slug. I know, I know. You’re wondering about the poison ivy. Well, in addition to gathering up portfolio pieces over the weekend, I also waged an itchy and exhausting battle against the poison ivy covering my arms, torso, and yes, even my face. I did, however, get some pretty gnarly shots of my eye all swelled up, and I thought it might make for some interesting and out of the ordinary subject matter (like the grotesque work of Jenny Saville which I mentioned in an earlier post). I also am looking to start bringing my creatures into realism, and what better way to do so than with a spider-slug on my head?

I am toying with the notion of doing a series of portraits of my friends, all playing with the abstract and fantastical. I think I will consult T. Chris Willis on this, but I am feeling hopeful. This weekend I will be staying at school and am planning on holing myself up in the studio to get some actual work done. Hopefully, I will be able to finish or get closer to finished on the Maggie painting, and begin the self-portrait.

Portraiture – Natalie

This weekend I finally got to get going on some of the stuff I talked to T. Chris about a week or so ago. Last night I had Maggie sit for me so that I could paint her. I painted her for about an hour and a half to try and get the bulk of the imprimatura done. Basically, the imprimatura is the sketch and toning layer of an oil painting. I first lay down a solid base color (this time I chose cadmium red with a hint of Venetian red to produce the warm pink color which underlies Maggie’s skin tone) by spreading thinned down paint with either a large brush, a paper towel, or a mixture of the two until I have an even medium to light shade covering the entirety of the canvas. Continue reading

Directions – Natalie

Last week and this week I got some productive setting-up done and am now feeling just about ready to really take off. I managed to start and finish another amoeba painting last week, and did some general sketching. I also worked on my one dragon painting, which I have vowed to finish up soon so that I may move on. Continue reading

Floating Islands and Mutating Creatures

Hello all, Natalie here to talk about some plans. I feel I should begin with informing you all of one fact: I grew up on the images of Tolkien and Shel Silverstein and JK Rowling and Maurice Sendak (for those of you who perhaps don’t know stories by their authors, that’s Lord of the Rings and Where the Sidewalk Ends and Harry Potter and Where the Wild Things Are), and they have greatly influenced me both as a person, and as an artist. Continue reading